Not Another Place – Another Reason for Visiting Liverpool

21 10 2009
Courtesy of Go Penguins

Courtesy of Go Penguins

Antony Gormley and his Crosby Beach statues continue to fascinate me. And now I have another reason to love them (and Liverpool): they’ve inspired another installation linked to environmental protection. Not Another Place, installed Monday, October 19 on New Brighton Beach is the avian version of Gormley’s Another Place, the eerie, ethereal and amazing installation after which Not Another Place was inspired.

But Not Another Place has
another message altogether: they are part of Liverpool’s Year of the Environment, a movement focused on helping residents of and visitors to Liverpool to be more conscious of environmental hazards, with the hope, of course, that these newly more conscious will use that consciousness toward the greater good.

The penguins on the beach are meant to inspire, kicking off new piece of the project, in which the Environment Agency partners with Go Penguins, a project in conjunction with Wild in Art that will see this holiday season in Liverpool adorned by a “Winter’s Trail” of penguins throughout the town. The penguins will be designed by artists, both professional and amateur, and there is currently a call for penguin designs, open to the public. So many levels of inspiration. See more photos here.





Some Monday Lightheartedness

31 03 2009

Liz recently emailed this article over: 20 ridiculous complaints made by holidaymakers and I adore it, not only for its loveable “Britishness” (who doesn’t love a good “holidaymaker”?) but for the utter ridiculousness it explores. It’s always nice to have a little laugh at the silliness of others. And the pictures are fun as well.

Highlights: realities of street gear, please tame the sea for my children, special treatment for Americans, sorry ma, it’s the hotel’s fault and hairdressers not allowed. But hey, just flip through the whole thing. It’s worth it.





I Want to Go There: Crosby Beach, Liverpool

17 03 2009
theage.com

theage.com

This isn’t by any means breaking news, but I randomly came upon this blog post the other day and it inspired a new obsession: Antony Gormley. The British artist is known for his work with the human form, often studying and casting his own body. His “radical investigation of the body as a place of memory and transformation” is (not surprisingly, given my obsession with memory) a fascinating concept to me, and many of his works appear to have a quality that is at once eerily haunting and serenely calming, which makes them all the more appealing.

Take, for example, “Another Place,” a July 2005 exhibition on Crosby Beach, Liverpool that has become a permanent installation there. Here, flanked on one side by industrial Liverpool with its electricity windmills and on the other by a long expanse of empty beach, 100 cast-iron figures stand looking out to sea. The figures, molded from the artist’s own body, are rather ghostly in aspect, and their rusty, corroded facade gives the sense that they may just as easily be some ancient monument as a modern, incredible work of art.

They are spread out along the beach at random intervals, many up to waist deep in water when the tide comes in, and have the odd effect of looking realistcally human or inhumanly alien, depending on the angle and distance of viewing. There is something wistful in the way that they all look out in the same direction at the sea. (All this, of course, only from the photos I’ve seen.)

In an article written back at the installation’s inception, Gormley describes the work as “a whispering communication with forgotten levels of history” as well as “a kind of acupuncture of the landscape, but also acupuncture of people’s dreamworld.” But the even more fascinating aspect of the exhibition (and presumably the reason it’s staying) is that it creates a sort of dialogue between artist and audience: Gormley says, “Each person is making it again… for some it might be about human evolution, for others it will be about death and where we go…I think that’s what’s amazing about in a way the work of now – contemporary art, it’s no longer representing the ideology of a dominant class it’s actually an open space that people can make their own.” Death of the Author indeed.

See the work for yourself with this video about the fight to keep the statues.